There is no word to describe what I’m attempting to put into words. The concept of capturing extant reality in written words when no words are used—nor in the true reality, are they necessary—in order to communicate by text or mere oration (and auditory-only experience of that oratory) the experience in its entirety. It’s so difficult, and yet so masterfully accomplished by J. R. R. Tolkien in his stories of Middle-earth.

My two oldest boys and I have been making the journey through Tolkien’s adventures, starting with the Hobbit and subsequently through the Lord of the Rings trilogy for probably the past two years. (We’re taking them at a Sunday Driver’s pace…) The worlds that this man must have seen in his mind’s eye, and the incredible attention to detail that he conveys through description and dialogue are truly, utterly astounding. At times it even feels like too much; there are moments when after a few pages of reading poetry in Elven tongues you begin to wonder, “What is the deal with this guy?”

But then there are moments where you almost feel you are not simply present with the characters, in the magical places—rather you feel as though you are one of them.

Of course this is the goal of anyone who puts pen to paper (or fingers to keyboard), but how many can so well achieve this as has Mr. Tolkien? When you have a society in your name, you’ve probably made a name for yourself.

We’ve nearly reached the end of the third book in the LoTR series, and tonight’s chapter was just such an enjoyable read. Tolkien is bringing together several long, arduous journeys for so many characters through whom he has helped us live this adventure; their joys are ours, all that they are experiencing can be felt by the reader.

When I read the following paragraph, I stopped and commented to my son Ian, the aspiring author, observing that what Tolkien is able to do is to put into words things which have no words. He assembles (even creates) just the right words to allow the reader to enter the entirety of the moment. Not only does he elaborately describe a lush environment in all its fullness, but he also so perfectly captures the emotions and even the reasons for the emotions without “spelling it out” … rather he brings it to life.

‘A great Shadow has departed’, said Gandalf, and then he laughed, and the sound was like music, or like water in a parched land; and as he listened the thought came to Sam that he had not heard laughter, the pure sound of merriment, for days upon days without count. It fell upon his ears like the echo of all the joys he had ever known. But he himself burst into tears. Then, as a sweet rain will pass down a wind of spring and the sun will shine out the clearer, his tears ceased, and his laughter welled up, and laughing he sprang from his bed.

If Artists did not exist who could master the words to somehow so beautifully capture the fullness of that moment, it might have gone something like this:

‘A great Shadow has departed’, said Gandalf, with a laugh, a sound which Sam had not heard for a long time, as their journey had been so full of sadness, toil, and hardship. The sound made him glad, but Sam began to cry. After a while, his tears ceased and he too began to laugh. Then he got out of bed.

One of these things is not like the other …

I remain awe-struck at the way Tolkien not only paints a vivid picture using words, he really creates a wordality. (A reality brought to life—as near as possible—with only words.) The way the emotions of the moment are described in that paragraph, to think to describe the depth of the joy as laughter “[falling] upon his ears like the echo of all the joys he had ever known”, is much more engaging and colorful and real than, “The sound made him glad”.

(It’s quite obvious that I am no J. R. R. Tolkien!)

While words can never capture the fullness of experience, there truly is power in words, and I am becoming a firm believer that J. R. R. was one of the finest word craftsmen/artists/story-tellers ever to have breathed our air.

I shall greatly miss Middle-earth when we finally complete our reading of The Return of The King. I may have to delve into one of the sundry other works of Tolkien that rest quietly on my shelves, anticipating their turn to share the worlds which they contain.

The wordalities I myself endeavor to create may not be as complete and vivid as Tolkien’s, but I will nonetheless continue with ardent fealty my quest to capture with words the thoughts that are stirred in my heart and mind, ruminate in my soul, crescendoing within the depths of my being from the simplest melodies to the most elaborate symphonies; becoming then all the more enjoyable when shared with a fellow Word Enthusiast and Lover of Locution, like you.